Representasi Nilai Budaya Tari Klasik Jayengrana Kasumedangan Sebagai Atraksi Wisata Budaya
DOI:
https://doi.org/10.47200/aoej.v17i1.3504Keywords:
Jayengrana, classical dance, cultural values, ethnography, cultural tourismAbstract
Jayengrana dance is a form of classical dance that represents the rich local cultural values of the Sundanese people, especially in the Sumedang region. In the midst of modernization and globalization, traditional dance faces challenges in the preservation and regeneration of art actors, so efforts are needed to strengthen the role of traditional arts in the context of culture and tourism. This study aims to examine the existence of the Jayengrana Dance as a local cultural heritage and analyze its potential as a cultural tourism attraction that has educational value. The research uses a descriptive qualitative approach with ethnographic methods. Data was collected through field observations of the rehearsal and performance process, in-depth interviews with the performers, and documentation of dance activities. Data analysis was carried out by categorizing findings based on cultural values, social functions, and the role of dance in the development of cultural tourism. The results of the study show that the Jayengrana Dance not only functions as a medium of artistic expression, but also as a means of transferring moral, historical, and cultural values to the younger generation. In addition, this dance has significant potential to be developed as a cultural tourism attraction that is able to attract the interest of the public and tourists. Continued support from governments, cultural institutions, and the tourism sector is needed through the promotion, training, and integration of traditional dance in formal tourism and education packages.
Downloads
References
Nguyen, T. H. H., & Cheung, C. (2022). Cultural performance and sustainable cultural tourism development: The role of traditional arts in destination identity. Sustainability, 14(9), 5342. https://doi.org/10.3390/su14095342
Richards, G. (2020). Designing creative places: The role of creative tourism. Annals of Tourism Research, 85, 102922. https://doi.org/10.1016/j.annals.2020.102922
Su, M. M., & Wall, G. (2021). Community participation and sustainable cultural tourism development. Journal of Sustainable Tourism, 29(4), 545–563. https://doi.org/10.1080/09669582.2020.1804410
Timothy, D. J. (2020). Cultural heritage and tourism: An introduction (2nd ed.). Channel View Publications.
Widyastuti Ningrum, A., & Wahyudi, A. (2020). Nilai budaya dalam tari klasik Jawa sebagai representasi karakter masyarakat. Jurnal Seni dan Budaya, 12(2), 115–126.
World Tourism Organization. (2021). Cultural tourism and sustainable development. UNWTO. https://doi.org/10.18111/9789284422473
Harnish, D. (2022). Safeguarding intangible cultural heritage in Southeast Asia: Performance, politics, and practice. Asian Theatre Journal, 39(2), 305–324.
Smith, L. (2021). Emotional heritage: Visitor engagement and the politics of recognition. International Journal of Heritage Studies, 27(5), 451–467.
UNESCO. (2022). Global report on intangible cultural heritage safeguarding. Paris: UNESCO Publishing.
UNWTO. (2023). Tourism and intangible cultural heritage: Promoting sustainable development. Madrid: World Tourism Organization.
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Ratu Nurul Fahmi Aulia, Irena Novarlia, Rifqi Asy’ari

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


